Sept. 1, 2026

S4 E57 - Moans, Groans, and Microphones

S4 E57 - Moans, Groans, and Microphones
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Season 4

This month, we’re talking all things SFX in audio erotica. We chat about what works for us, what doesn’t, and why the exact same sounds can hit the three of us VERY differently. From kissing and cooch smooching to spanking, spitting, and even choosing to use no sound effects at all, we’re talking about how SFX can change the whole feel of an audio. And don’t miss Peaches in our monthly segment, “Peachin’ It Real,” where he gives us his perspective from the other side of the mic.

🔥 IN THIS EPISODE

  • Cooch smooching, kissing, blowjobs, sex, BDSM type sounds, and even a bit of atmosphere
  • Our personal SFX preferences, plus what our Clitizens had to say
  • Some of our favorite SFX clips, featuring Quinn creators Anonyfun, Lux, Cera, Dolph, Cavern, Naudio, Sweets, and Augustinthewinter.
  • Does what we like hearing have anything to do with what we have heard in real life?
  • We have feelings on spitting and learn a lot.
  • Discuss belts and other implements that are used in SFX
🍑 ‘PEACHIN’ IT REAL’ WITH PEACHES
Our incredible monthly segment host, Peaches, shares his thoughts and feelings on sound effects from the other side of the mic. But don’t expect any HUGE behind-the-scenes secrets. Peaches is keeping those to himself!


🔗 Where to Find Peaches
Just-Peaches
Links


🎵’Peachin’ It Real’ written and performed by: Jingle Crafters

🎙 WHO’S TALKING
Hosts: Kazza, Jules, and Smudge
Peachin It Real Segment: Peaches

Episode Edited By: Smudge


💬 THE BIG TAKEAWAY
Turns out that SFX are very personal. What works for one of us might not work for someone else. It is probably best that we do not know how every sound is made…but damnnn are we grateful for it.

[Tick Tick Tick] [The Dinner Bell] [Popcorn Kisses] [Plaps] [Worship the P**sy] [Slurpy] [One Spank] [Gagging]

🫶 Thank You to Our Sponsor: What Beti Made
Big love to Beti for creating amazing stickers. Beti also offers custom sticker designs, so you can bring your own ideas to life. And yes, there is an entire QuinnCast Podcast collection.
Website

💌 STAY CLOSE
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WEBVTT

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Hey, this is Kazza.

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This is Jules.

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And this is Smudge.

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And you're listening to Quincast, where we have chats about

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audio erotica and empowerment through desire.

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And we take you behind the scenes with the pros

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shaping the industry.

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Settle in. Things are about to get spicy and uncensored.

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As always, big love to our sponsor, Betty, of WhatBettyMade.com.

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She makes amazing stickers. And yes, there's a whole Quincast

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collection made just for you.

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Cute, chaotic and dangerously easy to justify buying. Check her

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out at whatbettymade.com. Also in today's episode, don't forget to

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listen out for the latest delicious instalment of Peaching It

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Real with Peaches. Am I late?

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Nice of you to join us for the recording today, Smudge.

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What the fuck happened?

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I just had to run up two flights of stairs.

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You live in a bungalow.

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Yeah, that's not adding up.

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Okay, well, maybe they weren't real sound effects. Maybe they

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were actual sound effects. Because, you know, what's the episode about, ladies?

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SFX!

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Talking about sound effects, baby!

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Woo!

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Endless, endless hours of deliberation on how I segment into

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every episode.

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It's so true. You spend hours and hours.

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Oh dear, yeah, seconds and seconds. We spent minutes. This

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was one of the first subject matters we ever said

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that we were going to cover on a Queencast episode

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and it was SFX and we had all these great

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ideas about, we're just going to come in and we'll

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have a bowl of water and some mops and squeegees

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and and implements and chains and everything and we'll make

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our own sound effect episode and then we went do

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you know what.

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No it's a lot of fucking work the podcast is

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already a lot of work labor of love but a

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lot of work so.

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What we thought we'd do is we'd let other people

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you know do the hard work of the sfx and

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we would just talk.

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About it love it we are so efficiently brilliant.

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Sfx i feel it's going to be a could be

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a contentious subject what do you think.

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It could be.

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My overall thoughts are they're good if they're done well

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in anything. And I'm talking movies to audio erotica to

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TV to anything.

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Really? That's a groundbreaking opinion.

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Everything. I was going to add everything in moderation.

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Yeah.

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I mean, the sky is blue.

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I'm fucking sure. Minutes I spent on that.

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Minutes. If they're done well, they're good. So today we're

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talking about SFX. So we're going to talk about SFX, obviously,

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and audio erotica. What types make an audio? What types

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break an audio? The varying opinions. We've got some opinions

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from you, Clitizens. We've certainly got our own opinions, of course.

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And we brought a couple examples of some really good

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ones in our personal opinions, because again, it's subjective. And

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we each have some opinions on some not so good

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ones we'll talk about. So shall we dive in?

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Shall we?

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Yeah, and, Clitizens, we will not be talking about how

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the sausage is actually made, so don't worry about that. Listening, okay?

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Good call.

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No SFX spoilers here. No.

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That's right. So we have on, in Audio Erotica. There's

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certainly audios that have no SFX. So that's their own

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little category, which we will not be covering because we're

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talking about how the actual SFX makes the audio or

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how it enhances it or how it detracts from it.

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So yeah, we each had like a couple kind of categories,

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if you will, of sex SFX versus just like regular

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SFX that we were going to bring to the table

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and pull some clips of ones that we felt were

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good from our personal perspective. So my assignment was, of course,

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smooch cooching. And kissing. Jules, what was your assignment?

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Mine was the art of the blowjob and the actual

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act of sex. So the air humping portion was my duty.

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The plapping.

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The plapping. Smudgy, what did you investigate?

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Shockingly, I investigated the world of BDSM sounds.

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No.

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I know.

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The sky again is blue.

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I don't even know how I came to choose that one.

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But yeah, so that's what I'll be delving into. The chains,

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the spanking, the everything. But where do we start? Do

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we start with the cooch, the cock, or the cuck?

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It kind of works.

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Well, I want to know first, how do you guys feel?

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I know we all say that we like them if

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they're good, but do you have any specific type? I

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love kissing sounds. I love that in audio erotica. It's

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super immersive. I like subtlety in mine.

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Yeah.

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So I don't like anything too loud, which is crazy

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because I'm a very loud person. I like background music.

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I like rain. I like thunderstorms. I like all that stuff.

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So what about you guys? I like that too. It

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depends on the audio, right? Like there are some that

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it depends on the scene that the voice actor is creating,

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like how intimate is the scene, meaning like just even

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the storyline. I'm not a huge fan of like overly

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cinematic audios because just for me, it like, It's too

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much for my brain to focus on. And so like

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the big overproductive kind of cinematic ones don't really do

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it for me. But I do love like good use

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of certain kind of like sound effects, like you said,

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like thunderstorms or less is more to a certain degree.

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And we'll talk about that with when we get into

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our examples. But what about you, Smudgy? What's your overall

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take on SFX?

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I'm the complete opposite. I don't like kissing. in it

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because okay I don't think I've found any audio that

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I like and listen have listened to that has a

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decent kiss in it it's all over exaggerated it's all

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sloppy it's too much whereas I like the subtlety of

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I'm just coming in for a kiss and maybe the

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lightest sound you know that because I just think all

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this you know you know that is just takes me

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completely out of it Background noise for me, if there's

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some subtle rain in the background, because I find that

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very relaxing. I like that. But if it goes on

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all the way through, if there's a fire crackling the

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entire way through, my brain will isolate the fire. That's

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how my brain works. So I will just fixate on

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that fire and it takes me away from everything else.

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Same if there's music all the way through an audio. No, no, no, no. No,

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if there's music in the background of an audio all

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the way through, I just can't deal.

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Right, so that's just how different this is.

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Yep.

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Because music doesn't bother me, but if there's a clock

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the entire time and I'm just going tick, tick.

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Like ticking?

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Yeah, ticking. And I'm just, that's all I'm doing is I'm,

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in my head it's just tick, tick, tick, tick.

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Yeah.

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Not dick, dick, dick, dick. Like, come on now. That

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was silly. That was good.

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Dick cock, dick cock, dick cock.

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Dick clock.

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Dick cock, dick cock.

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Oh, that was good. But like you said, three very

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diverse opinions there. Yeah, totally.

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Yeah. We'll talk about it when we get to the examples.

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But yeah, like with the kissing thing, yeah, I want

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it to sound like kind of natural, but I want

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it to sound like kind of passionate, intimate. But that

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doesn't mean it has to be like loud and sloppy.

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But it also, as you guys have heard me say before,

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I don't want it to sound like a peck. Like

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there are some audios where it just sounds like someone's

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like kissing their grandmother on the cheek, which is like

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the squeaky peck. For me, it takes me right out

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because I'm like, oh my God, it just seems like

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you don't feel passionate about this person at all because

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you wouldn't do a squeak peck.

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Yes, yeah. But then, like you said, the yuck, the

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yum thing, massively in play with SFX. I think it's

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probably one of those things that separates people in the

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AE community is whether you like it, how much you like,

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what you like. And I get the whole building the

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world experience. And I think if you're doing a, you know,

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a Bridgerton style one and you've got the sound of

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the carriage going down the cobblestones and streets, fine. But

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I don't need to have violins playing in the background

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the whole entire time. There are certain ones where I've

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listened to and I've gone, fucking hell, that sounds like

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I was doing it. Yes.

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Yes. It's so varied. But you're right. They're so varied

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and individuals' experiences of them is so varied. When I

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first found audio erotica, there were a lot of audios that,

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obviously just the ones I was listening to, that there

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was like no SFX when it came to like the

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actual act of sex.

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Yes.

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Like there was no claps. There was no like anything

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that I was like. And it was fine until I

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heard differently. And I was like, oh, wait a minute.

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This is a whole different experience. Yes.

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Even when I was doing research for this, I looked

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up to see if there were any playlists on Quinn.

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I just didn't have a chance to go to other

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platforms to look. But I looked to see if they

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had like no SFX playlists. They did have one that

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was for oral and it was just no SFX for oral. Yeah,

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they have a whole playlist, guys. Wow. A entire playlist

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that's little to no oral sounds.

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But there's oral in the story.

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Yes. I mean, you can because you can say, you

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can describe it. So it's a descriptive rather than the SFX.

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So I quite I quite enjoy those types. That's, I

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would favorite that over some sloppy mouth sounds, you know,

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with just the narrative of, you know, take me deeper, darling,

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you know, that type of, and you know it's happening

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and you picture it in your head. Yeah.

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See, I want the sounds. Why don't we play some clips?

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Shall we? Jesus, we're talking about it.

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We're talking about oral. So maybe, uh, I'll start.

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With oral then. That was my assignment. So I have

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two very short clips. So the first one, I mean,

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when we're talking about cooch smooching and oral, you have

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to say a naughty, or at least I have to

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say a naughty one because Jesus, it just would have

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been absolutely blasphemous to not. I mean, let's be real. Okay,

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here we go.

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Mmm. Mmm.

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Mmm.

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Mmm. I want it all.

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I want to cut it all.

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Ladies and gentlemen, I'm not even.

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That man worships the fucking pussy.

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Jesus.

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That, Jules, that's it. Like, it's not even so much...

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I mean, yes, it's the SFX that he does. But also,

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his SFX for oral always includes, like, desperate, eager... When

222
00:11:18.370 --> 00:11:21.549
you listen to his audios, like, they're almost all just oral.

223
00:11:22.429 --> 00:11:22.860
Oh, yeah.

224
00:11:23.049 --> 00:11:26.379
So his... He loves it so much. And I think

225
00:11:26.419 --> 00:11:27.250
that's part of it for me.

226
00:11:27.299 --> 00:11:27.559
It's like.

227
00:11:27.879 --> 00:11:29.759
It's not, he's not going through any kind of motions.

228
00:11:29.960 --> 00:11:33.440
He fucking loves it. And so, yeah, it's his hunger

229
00:11:33.980 --> 00:11:35.139
that he conveys so well.

230
00:11:35.399 --> 00:11:37.320
He is good though, isn't he? I mean, he's mastered it.

231
00:11:37.320 --> 00:11:37.620
Oh, yeah.

232
00:11:37.919 --> 00:11:40.039
It's like, I can hear, you know, hear how turned

233
00:11:40.139 --> 00:11:43.320
on the listener is, but it's not drinking a bowl

234
00:11:43.360 --> 00:11:43.659
of soup.

235
00:11:44.179 --> 00:11:44.399
Right.

236
00:11:44.740 --> 00:11:45.240
You know. Yes.

237
00:11:45.899 --> 00:11:47.330
You can hear how turned on the listener is. You

238
00:11:47.350 --> 00:11:48.909
can hear how turned on he is and how much

239
00:11:48.950 --> 00:11:51.409
he's enjoying it. I should say, clitizens, this is from

240
00:11:51.629 --> 00:11:55.559
Friday Mess. by a naughty fun which i loved a

241
00:11:55.580 --> 00:11:58.470
little um the description for the audio is i'm just

242
00:11:58.529 --> 00:12:00.549
a man standing in front of a woman asking her

243
00:12:00.590 --> 00:12:01.690
to sit on his face.

244
00:12:03.250 --> 00:12:04.850
See if that would have been the line in notting

245
00:12:04.909 --> 00:12:07.730
hill it would have right oh done better.

246
00:12:07.730 --> 00:12:09.730
I love him so much and it's also the audio

247
00:12:09.750 --> 00:12:11.429
that i'm sure you all know that when he says

248
00:12:11.740 --> 00:12:14.059
if you were a fruit you'd be a fine apple.

249
00:12:17.320 --> 00:12:18.120
Oh, a naughty fuzz.

250
00:12:18.159 --> 00:12:19.960
You know I love fuzz.

251
00:12:20.019 --> 00:12:22.639
But he also sounds like he's got a mouthful. The

252
00:12:22.679 --> 00:12:23.990
realism is for me.

253
00:12:24.070 --> 00:12:24.399
Yes.

254
00:12:24.419 --> 00:12:27.429
The realism. He sounds like he's down there and his

255
00:12:27.509 --> 00:12:32.250
tongue's moving around and he's sucking everything in and lapping

256
00:12:32.289 --> 00:12:35.090
everything up. So it sounds very real.

257
00:12:35.590 --> 00:12:40.379
Exactly. Versus other... I mean, I have one other example. Actually,

258
00:12:40.649 --> 00:12:42.019
this is a good segue so much because you just

259
00:12:42.039 --> 00:12:44.220
said he's in there doing things.

260
00:12:44.240 --> 00:12:44.309
Yes.

261
00:12:44.759 --> 00:12:47.860
The other short clip I got is from Sarah. It's

262
00:12:47.899 --> 00:12:51.519
from Like One of Your French Girls. And she, you'll

263
00:12:51.539 --> 00:12:52.139
hear the difference.

264
00:12:52.159 --> 00:13:00.899
Mmm. Mmm.

265
00:13:02.730 --> 00:13:02.830
Mmm.

266
00:13:04.690 --> 00:13:04.759
Mmm.

267
00:13:10.759 --> 00:13:11.440
For fuck's sake.

268
00:13:11.679 --> 00:13:13.740
Like, for fuck's sake, you know exactly what she's doing.

269
00:13:14.039 --> 00:13:16.580
Like the tongue action is what you can hear in that.

270
00:13:17.500 --> 00:13:19.899
You can hear the variations of where she's going with

271
00:13:19.919 --> 00:13:20.399
that tongue too.

272
00:13:20.600 --> 00:13:21.360
Exactly.

273
00:13:21.740 --> 00:13:25.259
Right? So it's like subtler, but there's like, it's good.

274
00:13:25.860 --> 00:13:30.039
It's good. What would we class as bad cooch mooching?

275
00:13:30.470 --> 00:13:31.379
Oh, I've heard some bad.

276
00:13:31.710 --> 00:13:31.970
Yeah.

277
00:13:32.070 --> 00:13:35.049
We also got a lot of clitizen comments that were

278
00:13:35.330 --> 00:13:38.730
surrounding this topic. We put out a questionnaire on our story.

279
00:13:39.289 --> 00:13:42.029
Just about what our clitizens like, might not like about

280
00:13:42.070 --> 00:13:44.190
sound effects. We got a lot of great, great responses.

281
00:13:44.389 --> 00:13:47.909
And something that kept popping up is if the oral

282
00:13:47.929 --> 00:13:51.269
sound effects are too slurpy. The word slurpy came up

283
00:13:51.309 --> 00:13:52.460
about five different times.

284
00:13:53.009 --> 00:13:57.200
Yeah, because I have heard audios with like slurping to

285
00:13:57.220 --> 00:13:59.480
the point of like, is there a bowl of chicken

286
00:13:59.500 --> 00:14:03.490
noodle soup in my crotch? It's like a dog at

287
00:14:03.509 --> 00:14:05.269
a puddle. I'm like, what are you doing?

288
00:14:05.879 --> 00:14:08.100
Apparently, that's how the sausage is made. Sorry, Clipsons. I

289
00:14:08.120 --> 00:14:08.620
lied earlier.

290
00:14:08.980 --> 00:14:09.200
Yeah.

291
00:14:09.419 --> 00:14:10.559
That's what it is.

292
00:14:10.580 --> 00:14:11.139
Chicken soup.

293
00:14:11.620 --> 00:14:12.200
Oh, chicken soup.

294
00:14:12.220 --> 00:14:12.779
Yeah.

295
00:14:12.840 --> 00:14:13.519
I agree.

296
00:14:13.679 --> 00:14:15.700
Yeah, I agree. I know there are some people that

297
00:14:16.039 --> 00:14:17.929
love that. Absolutely love that sound.

298
00:14:17.990 --> 00:14:18.250
Who?

299
00:14:18.909 --> 00:14:19.289
Just kidding.

300
00:14:20.330 --> 00:14:22.169
We're not yucky gnomes, but have that the soup if

301
00:14:22.190 --> 00:14:22.669
you want the soup.

302
00:14:23.779 --> 00:14:26.899
But it distracts me to the point that I can't,

303
00:14:27.059 --> 00:14:28.820
I have to fast forward it or just stop listening

304
00:14:28.860 --> 00:14:29.149
to it.

305
00:14:29.480 --> 00:14:33.090
Scientific question here. Do we like certain things because that's

306
00:14:33.149 --> 00:14:37.590
what we've experienced and heard ourselves? And it's the closest

307
00:14:37.830 --> 00:14:40.509
representation of what we've heard. So we are attracted to that.

308
00:14:40.690 --> 00:14:43.879
Or are we looking for something that we think is right,

309
00:14:43.980 --> 00:14:44.820
but we've never had?

310
00:14:45.159 --> 00:14:47.179
I'm just going by my body's reaction. So I'm not

311
00:14:47.220 --> 00:14:49.879
comparing it to anything. Like for me personally, when I'm

312
00:14:49.919 --> 00:14:53.220
aroused by something, it's not because it's a memory for me.

313
00:14:53.600 --> 00:14:54.840
But I hear what you're saying. It's a good question.

314
00:14:55.139 --> 00:14:57.320
It's not a memory for me necessarily. It's just my

315
00:14:57.399 --> 00:14:58.840
body tells me like, I like that.

316
00:14:59.080 --> 00:15:00.840
I don't know. I've never thought about that. That's a

317
00:15:00.840 --> 00:15:03.110
good question. There's like a lot of things, like I

318
00:15:03.169 --> 00:15:05.330
love nipple play sound effects. Like just, I just love

319
00:15:05.350 --> 00:15:07.070
it because I think it's subtle and there's not enough

320
00:15:07.110 --> 00:15:09.649
of it. So when it happens, I just love, love

321
00:15:09.690 --> 00:15:12.700
it if it's done right. But I've never been like, ooh,

322
00:15:12.759 --> 00:15:14.700
I just heard what it sounds like when my partner's

323
00:15:14.720 --> 00:15:16.940
doing it to me. Like, I've never put myself in it. So, yeah,

324
00:15:16.960 --> 00:15:18.360
I don't think I do either.

325
00:15:18.379 --> 00:15:20.679
I questioned it when we said we were going to

326
00:15:20.720 --> 00:15:24.080
do this episode. I questioned why I liked certain sounds.

327
00:15:24.320 --> 00:15:27.019
And is it because of maybe porn movies over the

328
00:15:27.059 --> 00:15:31.100
years that I've seen or heard things in or movies,

329
00:15:31.460 --> 00:15:35.019
you know, things like that. Or whether it's been scenes

330
00:15:35.080 --> 00:15:39.909
that I've partook in myself. Mm-hmm. Because I have partook

331
00:15:39.950 --> 00:15:42.129
in scenes where I've videoed it and I've played it back.

332
00:15:43.029 --> 00:15:49.159
So I was just curious to understand why we like something.

333
00:15:49.379 --> 00:15:50.940
Well, see, it's funny because it actually kind of ties

334
00:15:50.980 --> 00:15:53.700
back into the conversation when we were talking with Julianne

335
00:15:53.720 --> 00:15:57.519
Conn about the aphantasia scale or whatever. Yes. When I'm

336
00:15:57.820 --> 00:16:00.639
hearing these SFX, I'm not seeing a movie in my head.

337
00:16:01.269 --> 00:16:03.940
I am responding to it based off of my physical

338
00:16:04.039 --> 00:16:05.059
visceral reaction.

339
00:16:05.100 --> 00:16:05.320
Yes.

340
00:16:05.720 --> 00:16:07.440
And so when I hear it, I go, okay, my

341
00:16:07.500 --> 00:16:10.019
body's telling me I like this. So yeah, so maybe

342
00:16:10.059 --> 00:16:13.679
for someone who sees the apple, maybe it's more that smudge.

343
00:16:13.750 --> 00:16:17.210
Maybe they are seeing a past experience they had. And

344
00:16:17.269 --> 00:16:20.470
so they're like, the correlation is making them enjoy it more.

345
00:16:21.169 --> 00:16:23.070
For me, it's more just about feeling. So yeah, it

346
00:16:23.110 --> 00:16:23.470
could be.

347
00:16:23.649 --> 00:16:27.320
Yeah, I'm the same because I'm the same. I feel it.

348
00:16:27.340 --> 00:16:30.809
So I just go on how it makes my body react. Yeah.

349
00:16:30.970 --> 00:16:31.230
Same.

350
00:16:31.769 --> 00:16:34.690
Yep. From clitizens. Love oral SFX, except they have to

351
00:16:34.730 --> 00:16:36.629
be done right. Sometimes it gets a bit too much.

352
00:16:36.769 --> 00:16:39.759
Super slurpy slurps. No. And I even heard one. I

353
00:16:39.799 --> 00:16:41.500
can't remember the audio and it's fine because we wouldn't

354
00:16:41.519 --> 00:16:44.159
name and shame, but it was like they were drinking

355
00:16:44.200 --> 00:16:48.879
from a straw. So they were like, what is happening?

356
00:16:49.090 --> 00:16:51.450
And then they start humming the Star Spangled Banner and

357
00:16:51.490 --> 00:16:53.919
fucking ruin it. I mean, that's never happened to me.

358
00:16:53.929 --> 00:16:55.389
What are you talking about? That's not a real story.

359
00:16:56.159 --> 00:16:57.720
What are we going to next? I think we covered

360
00:16:57.740 --> 00:16:59.419
cute smooching. I mean, I could talk about it all day,

361
00:16:59.480 --> 00:17:00.230
but we can move on.

362
00:17:00.830 --> 00:17:04.450
Me too. Should we go to oral number two, which

363
00:17:04.529 --> 00:17:07.029
is Le Blowjob?

364
00:17:07.049 --> 00:17:08.450
Yeah.

365
00:17:08.589 --> 00:17:11.630
So first, I'm going to be honest about this. I'm

366
00:17:11.650 --> 00:17:15.119
not a huge fan of blowjob sounds in audios. I

367
00:17:15.200 --> 00:17:16.920
actually don't think they're in there as often as I

368
00:17:16.960 --> 00:17:19.589
thought they were, though. When I was looking at audios,

369
00:17:20.329 --> 00:17:23.329
I like the subtle ones. Some people love it. If

370
00:17:23.650 --> 00:17:26.839
there's gagging sounds or it sounds like they're using a flashlight,

371
00:17:26.910 --> 00:17:29.319
I'm done. I can't do it. I can't do it.

372
00:17:29.400 --> 00:17:31.839
It takes me so out of it. And I just can't.

373
00:17:31.859 --> 00:17:33.960
It's just not for me. And I mean, gagging can

374
00:17:33.980 --> 00:17:35.900
be hot, but I don't like hearing it in audio

375
00:17:35.980 --> 00:17:37.839
for some reason. It's just not for me. So I

376
00:17:37.900 --> 00:17:41.069
like when it's more subtle, like really subtle. So mine,

377
00:17:41.089 --> 00:17:44.630
I chose the one and only Cavern Kingston. And this

378
00:17:44.650 --> 00:17:45.650
is Get On Your Knees.

379
00:18:03.009 --> 00:18:05.829
That's it. That's it.

380
00:18:05.970 --> 00:18:07.069
Oh, yeah.

381
00:18:07.990 --> 00:18:09.579
Oh, I'm sorry.

382
00:18:10.420 --> 00:18:12.019
I'm sorry. What was he sorry for?

383
00:18:12.460 --> 00:18:14.279
So he goes on to say, did I tell you

384
00:18:14.319 --> 00:18:16.759
you were done? Did I tell you you were done

385
00:18:16.839 --> 00:18:17.819
with my cock in your mouth?

386
00:18:18.259 --> 00:18:19.420
Grab your circle.

387
00:18:19.960 --> 00:18:21.579
Yeah, and there is, I know I just said I

388
00:18:21.579 --> 00:18:23.529
don't like the gagging thing. There is a teeny, like

389
00:18:23.549 --> 00:18:25.970
a small little sound where you can tell the listener's

390
00:18:25.990 --> 00:18:30.130
going deeper, but it's so subtle. So actually, maybe, Smudge,

391
00:18:30.150 --> 00:18:32.930
you were right, because... maybe i was thinking a little

392
00:18:32.950 --> 00:18:36.000
bit about how i when i'm with my partner like

393
00:18:36.039 --> 00:18:39.279
how i might do it maybe yeah um but it

394
00:18:39.319 --> 00:18:41.119
might be too subtle for some people.

395
00:18:41.259 --> 00:18:44.019
Yeah i mean i barely heard it yeah it's super.

396
00:18:43.579 --> 00:18:45.690
Subtle if i just heard that clip and you didn't

397
00:18:45.710 --> 00:18:47.089
tell me what it was i wouldn't have had any

398
00:18:47.130 --> 00:18:49.750
idea no really yeah like it doesn't it could have

399
00:18:49.769 --> 00:18:52.349
been any part of any sfx of any audio.

400
00:18:52.069 --> 00:18:56.130
100 yeah that's what i'm saying about the verbal like

401
00:18:56.819 --> 00:18:59.819
if he'd have said something like no, no, no, open wider,

402
00:18:59.859 --> 00:19:03.809
take it deeper, stuff like that, then you know that

403
00:19:03.890 --> 00:19:06.849
it's happening and that I'm all fucking on board for.

404
00:19:06.869 --> 00:19:10.190
Love that shit. Talk me through it. Tell me. But

405
00:19:10.250 --> 00:19:13.049
he didn't do that until like right at the end.

406
00:19:13.230 --> 00:19:15.890
So I was with Kazza on that. I couldn't, you

407
00:19:15.930 --> 00:19:17.630
wouldn't be allowed to tell me that that was a blowjob.

408
00:19:17.710 --> 00:19:18.450
Wow.

409
00:19:18.559 --> 00:19:18.630
Yeah.

410
00:19:18.799 --> 00:19:20.660
I'm like, really? And I was just like, oh yeah,

411
00:19:20.680 --> 00:19:22.440
it's in our mouth right now. It totally is.

412
00:19:23.130 --> 00:19:25.009
I mean, I guess if I listen to the audio,

413
00:19:25.490 --> 00:19:26.670
it just has an isolated clip.

414
00:19:26.690 --> 00:19:27.450
Oh, yeah, exactly.

415
00:19:27.470 --> 00:19:27.990
It's an isolated clip.

416
00:19:28.029 --> 00:19:30.710
I'm like, I don't know what this is. But it

417
00:19:30.779 --> 00:19:31.660
speaks to how subtle it.

418
00:19:31.680 --> 00:19:31.940
Is, right?

419
00:19:31.960 --> 00:19:32.640
Which is what you like.

420
00:19:33.019 --> 00:19:36.099
Yeah. And so, sorry, the next one is also very subtle,

421
00:19:36.279 --> 00:19:37.339
but I actually like this one.

422
00:19:37.359 --> 00:19:40.299
Why are you apologizing for your needs and your desires? Yeah,

423
00:19:40.339 --> 00:19:41.539
shut the fuck up.

424
00:19:41.579 --> 00:19:46.670
You like subtle. Shut up. Thank you. The next one

425
00:19:47.089 --> 00:19:50.569
is from Dolph, and it's an MM, and it's After

426
00:19:50.609 --> 00:19:54.130
Hours with Coach. And he's like doing narration. So it's

427
00:19:54.259 --> 00:19:57.750
like he's giving a blowjob, but he's narrating it.

428
00:19:57.759 --> 00:20:01.579
Take it so well.

429
00:20:01.619 --> 00:20:05.559
I can take it so well for him.

430
00:20:05.579 --> 00:20:06.660
I bet he can handle it, though.

431
00:20:08.539 --> 00:20:10.079
Yeah, he'd let out a little moan and let me

432
00:20:10.119 --> 00:20:19.339
know I'm doing good. Fuck, that would get me halfway there.

433
00:20:19.720 --> 00:20:22.720
So there you go. Subtlety. I like the narration part

434
00:20:22.759 --> 00:20:24.980
on that. That's my bag. So I like the narration

435
00:20:25.009 --> 00:20:28.269
part on that. But again, I've clearly realised that I

436
00:20:28.309 --> 00:20:30.130
need a bit of sloppy on a blowjob.

437
00:20:31.160 --> 00:20:32.900
Or I just need the audio for context, right? Because

438
00:20:32.940 --> 00:20:35.220
I didn't... Yes. It's hard. It's hard with a clip

439
00:20:35.299 --> 00:20:37.579
unless it is the type that you don't like, Jules.

440
00:20:37.619 --> 00:20:39.160
The obvious gagging.

441
00:20:39.619 --> 00:20:40.029
Yeah. Right.

442
00:20:40.069 --> 00:20:41.549
Which I wouldn't choose.

443
00:20:41.589 --> 00:20:42.009
Yeah. Right.

444
00:20:42.160 --> 00:20:43.029
Yeah. Right.

445
00:20:43.049 --> 00:20:44.380
So this is like lovely subtle.

446
00:20:44.549 --> 00:20:44.740
Yeah.

447
00:20:45.089 --> 00:20:45.349
Yeah.

448
00:20:45.549 --> 00:20:47.890
The Dolph one reminds me because there's a... Dolph did

449
00:20:47.930 --> 00:20:51.190
an overheard. He's done two, but I'm talking about the

450
00:20:51.230 --> 00:20:53.390
first one, which is hot as fuck. I would recommend it.

451
00:20:53.390 --> 00:20:56.809
It's called Spanx and Giggles. And his partner in the

452
00:20:56.970 --> 00:21:00.190
overheard was giving him a blowjob and... there was some

453
00:21:00.230 --> 00:21:02.349
gagging and there was, cause I thought I'm not going

454
00:21:02.369 --> 00:21:03.390
to like that. And I listened to it.

455
00:21:03.400 --> 00:21:05.809
I'm like, Oh, Oh, Oh, really?

456
00:21:06.089 --> 00:21:06.329
Yeah.

457
00:21:06.390 --> 00:21:07.910
It was just kind of like how she was doing it.

458
00:21:07.930 --> 00:21:10.819
She just, she sounded like she was really enjoying it.

459
00:21:10.869 --> 00:21:13.369
And so this is, this is a whole other conversation, right? Like,

460
00:21:13.670 --> 00:21:15.339
I think I've shared this with you guys. I might've

461
00:21:15.359 --> 00:21:17.480
shared it with you guys before, but you know, off mic,

462
00:21:17.799 --> 00:21:20.740
like how I was raised particularly around, well, sex was

463
00:21:20.799 --> 00:21:23.000
dirty and you know, we don't talk about that stuff,

464
00:21:23.559 --> 00:21:27.220
but blowjobs were like the scum of the earth act

465
00:21:27.339 --> 00:21:30.680
to do. It was the most degrading thing that a

466
00:21:30.799 --> 00:21:33.789
woman is expected to do, right? This is how I

467
00:21:33.829 --> 00:21:37.069
was raised around it. So I was raised to believe

468
00:21:37.109 --> 00:21:42.779
that you are like this worthless toy on your knees

469
00:21:43.000 --> 00:21:46.680
for a man putting his penis in your mouth. It

470
00:21:46.720 --> 00:21:50.039
was presented to me as something so disgusting and so

471
00:21:50.099 --> 00:21:53.859
degrading that people who did it were just like, thought

472
00:21:53.900 --> 00:21:58.089
nothing of themselves. Now, coming to this community and talking

473
00:21:58.130 --> 00:22:02.069
to women who love giving blowjobs, I was like, oh

474
00:22:02.089 --> 00:22:05.390
my God. So the power is really in your mouth,

475
00:22:05.869 --> 00:22:09.130
your hands. It's not about the guy forcing you to

476
00:22:09.170 --> 00:22:11.130
do something you don't want to do. And like, you know,

477
00:22:11.950 --> 00:22:14.089
so it was like, that was one of the biggest shifts,

478
00:22:14.109 --> 00:22:16.200
which is so crazy at this age of my life.

479
00:22:16.880 --> 00:22:18.420
But I've also been married to a woman forever, so

480
00:22:18.460 --> 00:22:20.859
it hasn't been relevant. But to listen to so many

481
00:22:20.900 --> 00:22:23.000
women in this community talk about how much they love

482
00:22:23.019 --> 00:22:26.240
giving blowjobs. At first I was like, oh, you do? Like,

483
00:22:26.880 --> 00:22:28.579
And I would be so judgy. Like, you must not

484
00:22:28.619 --> 00:22:31.599
think very highly of yourself. But now I get like, no,

485
00:22:31.740 --> 00:22:33.900
like you're the fucking one in the power position. So

486
00:22:34.619 --> 00:22:36.240
that's why I was so shocked when I heard that

487
00:22:36.319 --> 00:22:38.240
one from Dolph when she was like kind of gagging.

488
00:22:38.619 --> 00:22:40.640
There was something about how she was doing it that

489
00:22:40.700 --> 00:22:45.589
communicated her joy in giving it. And so it was it.

490
00:22:46.109 --> 00:22:48.369
I got to hear what I now learn from some

491
00:22:48.390 --> 00:22:51.309
women in this community. So let's go to one of Smudgy's.

492
00:22:51.390 --> 00:22:52.890
So what was one of your categories, Smudgy?

493
00:22:54.109 --> 00:22:59.910
So I was sort of covering the BDSM dungeon-esque type. Yes.

494
00:23:00.509 --> 00:23:08.420
My first choice was Nordeo and his audio Season Spanktory Winter.

495
00:23:08.619 --> 00:23:09.259
Oh, God.

496
00:23:09.779 --> 00:23:12.319
I don't know why winter means anything. All I can

497
00:23:12.359 --> 00:23:14.400
think of is that in winter you've got a cold bum,

498
00:23:14.839 --> 00:23:19.119
so that's going to sting even more, right? Okay. You

499
00:23:19.160 --> 00:23:23.029
nailed it. But, yeah, so here's a little Spanktory from Nordeo.

500
00:23:38.549 --> 00:23:44.990
Between each spank, his soothing caress is a welcome reprieve.

501
00:23:52.150 --> 00:23:55.049
Right now, you want to be punished.

502
00:23:59.319 --> 00:24:01.920
I mean, my ass feels stingy now.

503
00:24:02.400 --> 00:24:08.319
Now that's a hand spanking right fucking there. Not subtle.

504
00:24:08.799 --> 00:24:08.990
No.

505
00:24:10.480 --> 00:24:11.960
But can you be subtle?

506
00:24:12.160 --> 00:24:14.319
I mean, there's a little tap.

507
00:24:14.339 --> 00:24:16.319
There's a little tap, but it's not.

508
00:24:16.259 --> 00:24:20.319
Spanking, is it? For me, a little tap, a little tease,

509
00:24:20.339 --> 00:24:22.960
a little tap, that's not spanking. Spanking is when your

510
00:24:23.180 --> 00:24:25.680
arm raises at least as high as your shoulder.

511
00:24:25.700 --> 00:24:27.740
Jeez, we're getting so technical.

512
00:24:27.819 --> 00:24:33.039
It's a technical term. And swiftly moves to the surface

513
00:24:33.079 --> 00:24:38.609
of the arse. Thank you. And usually comes, there was

514
00:24:39.170 --> 00:24:43.369
so many, by the way, spanking tag on Quinn is

515
00:24:44.650 --> 00:24:45.099
so big.

516
00:24:45.559 --> 00:24:47.240
Yeah. So, so much.

517
00:24:47.359 --> 00:24:48.859
It was so big. I had so many to choose

518
00:24:48.880 --> 00:24:52.259
from because I've listened to a lot of the spanking tags.

519
00:24:52.819 --> 00:24:57.019
So yeah, so that was Season Spanktory. Season Spanktory.

520
00:24:57.299 --> 00:24:58.619
What a name.

521
00:24:58.740 --> 00:25:03.509
And then we have Lux. I'll give you the audio title.

522
00:25:03.609 --> 00:25:07.019
Your ankles bring out my goof. So there's a little

523
00:25:07.039 --> 00:25:09.420
bit of, you know, but it is an Emdom one.

524
00:25:10.720 --> 00:25:14.400
One of the tags is adorkable and goofy. So there

525
00:25:14.420 --> 00:25:16.740
is a little bit of a playful as well. I

526
00:25:16.759 --> 00:25:18.380
didn't want to go all the way down into the

527
00:25:18.400 --> 00:25:24.259
deep dark dungeons. So there's restraints and light bondage and belt.

528
00:25:25.029 --> 00:25:28.690
It's a proper belt and restraint sound. So here's a

529
00:25:28.690 --> 00:25:29.190
bit of Lux.

530
00:25:29.869 --> 00:25:45.069
Allow me to refresh your memory. Right there.

531
00:25:45.930 --> 00:25:49.359
Okay. Good.

532
00:25:51.740 --> 00:25:52.819
That's not going anywhere.

533
00:25:53.000 --> 00:25:53.599
That's good.

534
00:25:55.980 --> 00:25:58.559
So, dinner bell? Ding, ding, ding.

535
00:25:58.599 --> 00:26:00.039
Ding, ding, ding.

536
00:26:01.339 --> 00:26:02.400
Oh, Mr. Lux.

537
00:26:03.160 --> 00:26:04.839
I love those sound effects so much.

538
00:26:05.400 --> 00:26:09.039
Belt is another tag that is pretty heavy.

539
00:26:09.690 --> 00:26:10.170
Everywhere.

540
00:26:10.190 --> 00:26:13.349
It's so universally loved.

541
00:26:13.930 --> 00:26:15.630
And I hadn't heard it called dinner belt until you

542
00:26:15.650 --> 00:26:19.279
guys told me it was called the dinner belt. So

543
00:26:19.519 --> 00:26:22.019
on the basis where we were researching this and I

544
00:26:22.019 --> 00:26:25.420
was researching the belt thing, I just wrote something down

545
00:26:25.480 --> 00:26:27.380
and posted it on my sub stack. But it was,

546
00:26:28.269 --> 00:26:30.450
I love to hear you loosen your belt so I

547
00:26:30.490 --> 00:26:35.170
know that the conversation has just changed. It's the sound

548
00:26:35.230 --> 00:26:38.900
for a submissive when you hear the belt buckle. that

549
00:26:39.009 --> 00:26:42.390
whatever you've said and whatever conversation that you've just had

550
00:26:42.769 --> 00:26:48.890
has now changed the scenario. So it's a very intense sound.

551
00:26:48.950 --> 00:26:52.329
It's not really a playful sound. It's quite an intense sound.

552
00:26:52.369 --> 00:26:53.930
It's an intense sound.

553
00:26:54.170 --> 00:26:54.650
That's hot.

554
00:26:54.690 --> 00:26:54.809
Yeah.

555
00:26:54.869 --> 00:26:57.170
No, that's hot. Okay, because that's hot, Smudgy, because that

556
00:26:57.210 --> 00:26:59.690
also shows the difference when people listen to sound effects,

557
00:26:59.730 --> 00:27:02.950
the way that they experience them. Because to me, I

558
00:27:02.970 --> 00:27:06.089
would never experience it that way. You were just like, no,

559
00:27:06.130 --> 00:27:07.009
it's an intense thing.

560
00:27:07.029 --> 00:27:08.619
I was like, oh. So you just think that he

561
00:27:08.680 --> 00:27:10.279
was taking his belt off to get his cock out.

562
00:27:10.660 --> 00:27:10.880
Yeah.

563
00:27:10.900 --> 00:27:13.279
Exactly. But you're saying he's taking the belt off to

564
00:27:13.299 --> 00:27:14.579
hit you with it. Yeah, yeah, yeah.

565
00:27:15.059 --> 00:27:16.309
Oh. Yeah. Oh my God.

566
00:27:16.329 --> 00:27:17.450
See, my brain didn't even go there. And I love

567
00:27:17.470 --> 00:27:19.309
spanking stuff. My brain didn't even go there.

568
00:27:19.950 --> 00:27:23.970
Because the majority of belt, in fact, almost all the

569
00:27:23.990 --> 00:27:27.730
belt stuff that's on Quinn is just that belt's removed

570
00:27:28.150 --> 00:27:29.259
because the cock's coming out.

571
00:27:29.720 --> 00:27:30.039
Yeah.

572
00:27:30.180 --> 00:27:30.859
Okay. Yeah.

573
00:27:31.160 --> 00:27:31.400
Yeah.

574
00:27:31.819 --> 00:27:31.940
Yeah.

575
00:27:33.019 --> 00:27:33.440
I know.

576
00:27:33.460 --> 00:27:33.740
I know.

577
00:27:34.970 --> 00:27:37.549
But yeah, it is. So people even experience the sound

578
00:27:37.589 --> 00:27:39.690
effects differently, not just hear them differently. And they're like, yes.

579
00:27:40.349 --> 00:27:40.670
Yeah.

580
00:27:40.789 --> 00:27:41.190
Wow.

581
00:27:41.589 --> 00:27:43.069
All right. I do have a question going quick back

582
00:27:43.109 --> 00:27:46.690
to the spanking thing. A tag that always makes me go, oh, man,

583
00:27:46.710 --> 00:27:48.799
have you ever seen when the tag just says one spank?

584
00:27:49.359 --> 00:27:51.440
I think I've seen that. It was just one big spank.

585
00:27:51.460 --> 00:27:53.619
Yeah, just like one spank. I'm just like, oh, man,

586
00:27:54.000 --> 00:27:55.740
like there are some where the tag will say like

587
00:27:55.779 --> 00:27:58.920
spanking and you're like, yes. And then it will be like, boop.

588
00:27:59.299 --> 00:28:00.880
And you're just like, what the.

589
00:28:00.660 --> 00:28:03.130
Fuck was that? You've just touched it with your fingertips

590
00:28:03.380 --> 00:28:06.940
and the base of your palm. It didn't touch anything

591
00:28:07.079 --> 00:28:10.960
and didn't hurt anything. So, so many SFXs, so little time.

592
00:28:11.539 --> 00:28:11.859
Right.

593
00:28:12.259 --> 00:28:14.759
I was going to choose one particular SFX and I

594
00:28:14.819 --> 00:28:18.009
chose not to because it is very controversial.

595
00:28:18.410 --> 00:28:18.750
Okay.

596
00:28:19.029 --> 00:28:19.410
Spitting.

597
00:28:20.410 --> 00:28:21.869
I'll tell you, people love spitting.

598
00:28:22.329 --> 00:28:25.269
I love it too and I didn't love it until Ayurvedica.

599
00:28:25.529 --> 00:28:28.250
For me, I love it too. Again, when I first

600
00:28:28.329 --> 00:28:31.690
came to this community, I remember asking people, what is

601
00:28:31.710 --> 00:28:34.680
this whole fucking spitting thing like I just didn't get

602
00:28:34.759 --> 00:28:37.160
it and I was like is it because I'm married

603
00:28:37.180 --> 00:28:39.599
to a woman like I just didn't get it but

604
00:28:39.680 --> 00:28:41.940
now I listen to it I'm like oh that's hot

605
00:28:42.079 --> 00:28:45.380
where I personally draw the line is don't spit in.

606
00:28:45.309 --> 00:28:49.250
My mouth okay so it's funny you say that because

607
00:28:50.009 --> 00:28:51.609
I'm not gonna say who but there is an audio

608
00:28:51.630 --> 00:28:53.930
that the first time I ever heard spitting it was

609
00:28:53.950 --> 00:28:56.299
him being like open your mouth and like just spits

610
00:28:56.339 --> 00:28:59.410
in it and I remember I was like yeah like

611
00:28:59.430 --> 00:28:59.869
you just.

612
00:28:59.769 --> 00:29:03.089
Yeah that's the spitting that i was going to reference

613
00:29:03.490 --> 00:29:06.049
that's the bit that's the controversial bit spitting where they

614
00:29:06.069 --> 00:29:08.750
spit on their hand or spit on your cunt and

615
00:29:08.829 --> 00:29:10.210
yeah whatever to lube.

616
00:29:10.049 --> 00:29:11.730
It up a bit more whatever.

617
00:29:11.509 --> 00:29:14.890
Whatever they do i find that super sexy yeah.

618
00:29:14.539 --> 00:29:17.900
That particular spitting is there's way more people that hate

619
00:29:17.960 --> 00:29:19.039
it than they like it.

620
00:29:19.319 --> 00:29:21.700
Real i mean real subs like it because that's that's

621
00:29:21.759 --> 00:29:24.039
too degrading for me like they're not spitting my mouth

622
00:29:24.079 --> 00:29:26.500
like But I know other people who love it, too,

623
00:29:26.539 --> 00:29:27.799
and they're super subby.

624
00:29:27.920 --> 00:29:30.839
You do have to, I think, be in that little clique.

625
00:29:32.309 --> 00:29:33.130
You love it, Smudgy?

626
00:29:33.150 --> 00:29:34.490
I love it.

627
00:29:34.509 --> 00:29:34.970
I love it.

628
00:29:35.069 --> 00:29:35.759
I love it. I love it.

629
00:29:35.829 --> 00:29:36.210
I love it.

630
00:29:36.230 --> 00:29:36.809
I love it.

631
00:29:37.349 --> 00:29:38.140
What do you love about it?

632
00:29:38.349 --> 00:29:38.670
Yeah.

633
00:29:38.990 --> 00:29:40.490
I know it's gonna sound weird but it's an intimate

634
00:29:40.529 --> 00:29:44.579
connection okay for me all right it's like when somebody

635
00:29:44.619 --> 00:29:49.380
comes in your mouth male or female and you kiss

636
00:29:49.400 --> 00:29:51.880
that person that person then kisses you there's an intimate

637
00:29:51.920 --> 00:29:55.119
connection with the with the exchange of bodily fluids and

638
00:29:55.579 --> 00:29:58.579
Same as a lot of people like men to come

639
00:29:58.619 --> 00:30:02.220
inside them. It's a connection. It's that intimate transference of

640
00:30:02.440 --> 00:30:06.380
fluids and that bond. So I know it sounds weird,

641
00:30:06.559 --> 00:30:10.720
but for me, it's a connection. It's an intimate connection

642
00:30:10.859 --> 00:30:15.180
and it's doms don't do it to everybody. I'll just

643
00:30:15.299 --> 00:30:15.920
lay that out there.

644
00:30:16.500 --> 00:30:19.000
So it's kind of a privilege to think to have happen.

645
00:30:19.200 --> 00:30:21.480
It's a privilege. They're giving you something of theirs, which

646
00:30:21.519 --> 00:30:24.900
is why a lot of doms, Don't come inside you

647
00:30:25.059 --> 00:30:27.339
or come in your mouth. They come all over you,

648
00:30:27.640 --> 00:30:34.930
but they don't give you it. It's a dessert treat.

649
00:30:34.990 --> 00:30:38.250
Oh, that's interesting though. Okay. See, when you put it

650
00:30:38.289 --> 00:30:40.089
like that, it's like, okay, I can see how for

651
00:30:40.109 --> 00:30:41.890
some people that would be intimate.

652
00:30:42.130 --> 00:30:44.730
It's like kissing, French kissing somebody. You're swapping spit, right?

653
00:30:44.869 --> 00:30:48.380
I mean, like in the main heavy context, but you

654
00:30:48.460 --> 00:30:51.960
are still swapping and that's an intimate thing, kissing.

655
00:30:52.000 --> 00:30:53.000
That is hot.

656
00:30:53.490 --> 00:30:55.029
Every day's a BDSM school day.

657
00:30:55.289 --> 00:30:56.509
Every day's a school day.

658
00:30:58.609 --> 00:31:01.190
Don't go away, clitizens. We'll be right back with some

659
00:31:01.230 --> 00:31:05.279
more SFX chat. But first, let's head over to Peaches

660
00:31:05.799 --> 00:31:10.319
for our September episode of Peaching It Real. Peaching It Real.

661
00:31:26.660 --> 00:31:29.089
Thank you, Kazza, Jules, and Smudge.

662
00:31:29.990 --> 00:31:30.369
I'm back.

663
00:31:30.950 --> 00:31:33.049
We had a little break. But Peach in a Reel

664
00:31:33.109 --> 00:31:36.849
is back for another mini-segment. And this time, I'm going

665
00:31:36.869 --> 00:31:41.730
to have a little ramble, a safer work one, about SFX.

666
00:31:44.200 --> 00:31:46.339
And I wasn't really sure about how I was going

667
00:31:46.359 --> 00:31:48.140
to talk about it because I don't want to reveal

668
00:31:48.319 --> 00:31:52.460
too many industry secrets because I think some things, a

669
00:31:53.039 --> 00:31:57.349
little bit of mystery kind of, it keeps it alive.

670
00:31:58.190 --> 00:32:00.690
You know, when you're listening, you don't want to always

671
00:32:00.750 --> 00:32:04.809
just be picturing exactly what the VA is doing. You

672
00:32:04.829 --> 00:32:08.339
want to get into that character, don't you? So I

673
00:32:08.380 --> 00:32:10.940
thought I'd maybe start with how I used to do things.

674
00:32:11.720 --> 00:32:14.480
and how that kind of built and built and built.

675
00:32:15.200 --> 00:32:18.990
So I started as a few people might know on

676
00:32:19.630 --> 00:32:26.230
Patreon with my audios and my goodness, going back and listening,

677
00:32:26.430 --> 00:32:32.420
it was bare bones. I actually, for a couple of audios,

678
00:32:32.460 --> 00:32:38.039
I believe I didn't even do wet sounds. I, I

679
00:32:38.099 --> 00:32:43.480
relied on moaning and some sounds of me shifting in

680
00:32:43.539 --> 00:32:46.519
my seat. I think a lot of VAs start off

681
00:32:47.859 --> 00:32:52.220
with different things. I think if you're a VA who

682
00:32:52.259 --> 00:32:55.039
has come from a background of listening to audio erotica

683
00:32:55.680 --> 00:32:59.380
a lot, then you will have been well-practiced in that. However,

684
00:33:00.480 --> 00:33:05.109
I was coming into this world without that experience. I

685
00:33:05.170 --> 00:33:08.609
came in through people urging me to do it via

686
00:33:08.690 --> 00:33:12.170
social media, because they heard my voice on TikTok and

687
00:33:13.099 --> 00:33:17.069
on Instagram, and they were asking if I would do it.

688
00:33:17.779 --> 00:33:21.059
And this took well over a year and a half

689
00:33:21.259 --> 00:33:23.859
for me to get into. So when I went into it,

690
00:33:23.920 --> 00:33:26.140
I did a bit of research, but I didn't do

691
00:33:26.180 --> 00:33:29.059
too much because I didn't want to inform myself through

692
00:33:29.099 --> 00:33:35.990
other people, therefore taking in too much inspiration. Which now

693
00:33:36.109 --> 00:33:38.549
it sounds a bit silly because, you know, the more

694
00:33:38.609 --> 00:33:42.059
books you read, the more you understand how to write.

695
00:33:42.799 --> 00:33:45.299
But I think when it comes to voice, I wouldn't

696
00:33:45.339 --> 00:33:49.619
want to echo anyone else who has their own style

697
00:33:49.960 --> 00:33:53.920
too much, if that makes sense. However, now that I

698
00:33:53.960 --> 00:33:57.410
have started working with other VAs, you kind of, you

699
00:33:57.869 --> 00:34:00.529
hear what other people are doing. You hear how other

700
00:34:00.549 --> 00:34:03.450
people work and you think, oh no, yeah, that sounded

701
00:34:03.529 --> 00:34:03.990
really good.

702
00:34:04.049 --> 00:34:04.289
Okay.

703
00:34:04.500 --> 00:34:08.579
Maybe I will adopt some of that into my work too.

704
00:34:08.860 --> 00:34:13.619
So now I'm listening to more and I'm understanding the

705
00:34:13.659 --> 00:34:16.489
way that other people do things a bit more. So

706
00:34:16.719 --> 00:34:21.449
informing my work and hopefully creating things which are interesting

707
00:34:21.489 --> 00:34:25.610
to others. Anyway, so I started with the bare bones, grunting,

708
00:34:26.170 --> 00:34:31.789
movement sounds. I used to use Audacity as a digital

709
00:34:31.989 --> 00:34:36.480
audio workspace and barely knew how to use it. I

710
00:34:36.519 --> 00:34:40.360
would find sounds from an audio database, which I now

711
00:34:40.440 --> 00:34:43.969
no longer use because it doesn't have as much of

712
00:34:43.989 --> 00:34:47.489
a selection, and I would put maybe one or two

713
00:34:47.530 --> 00:34:50.550
sounds on top of things, you know, doors opening, tents

714
00:34:51.190 --> 00:34:54.409
opening and closing. I believe I did an audio in

715
00:34:54.469 --> 00:34:58.449
a tent way back when, and I actually used a

716
00:34:58.469 --> 00:35:01.730
zipper sound from an actual tent that I had in

717
00:35:01.769 --> 00:35:05.349
my garage. So Well, it wouldn't have been my garage.

718
00:35:05.369 --> 00:35:06.789
It would have been in my loft because I was

719
00:35:06.809 --> 00:35:10.449
in my old house. So I kind of used very

720
00:35:10.510 --> 00:35:16.099
real sounds back then to make things. And it took

721
00:35:16.139 --> 00:35:20.900
a lot of time. So I've had to better learn

722
00:35:21.320 --> 00:35:25.340
how to create some of these sounds. A lot of

723
00:35:25.380 --> 00:35:29.820
them are realistic. I will not say anything more than that.

724
00:35:30.539 --> 00:35:37.239
But the best... the best tools that I think any

725
00:35:37.300 --> 00:35:45.309
VA has for making sounds, hands and mouth. I'll just

726
00:35:45.349 --> 00:35:47.730
let that sit for a second. But yeah, hands and mouth.

727
00:35:47.909 --> 00:35:52.010
It really is, you know, whether we're doing kissing, oral sounds,

728
00:35:52.900 --> 00:35:56.539
the sounds of a smoothing over skin. You know, I'm

729
00:35:56.579 --> 00:35:59.679
literally just rubbing my arm right now. That is.

730
00:36:02.469 --> 00:36:06.809
The simplest thing but it's also i think the most

731
00:36:06.889 --> 00:36:10.809
powerful thing we can have in our toolkit so that's

732
00:36:10.889 --> 00:36:14.309
what that's what i do live while i'm while i'm

733
00:36:14.329 --> 00:36:17.510
recording is i kind of add a bit of depth

734
00:36:17.550 --> 00:36:20.150
to it by doing it live while i'm speaking because

735
00:36:20.190 --> 00:36:23.380
i think it kind of builds that momentum a little

736
00:36:23.389 --> 00:36:26.420
bit in the audio i mean you tell me if

737
00:36:26.460 --> 00:36:29.000
that's if that's correct or not i'm not too sure

738
00:36:31.599 --> 00:36:35.710
anyway Alongside that toolkit, I do have other things. I

739
00:36:35.769 --> 00:36:41.710
have a little box that I have various implements in

740
00:36:41.769 --> 00:36:46.210
order to make Foley sounds. And I also rely on

741
00:36:46.230 --> 00:36:51.340
an archive from a website called Soundly. And it has

742
00:36:51.400 --> 00:36:54.219
lots of different things, sometimes quite difficult to navigate, so

743
00:36:54.239 --> 00:36:57.239
I'm always in constant search of other archives to use.

744
00:36:59.780 --> 00:37:04.250
Aside from that, It's pretty bare bones the way that

745
00:37:04.269 --> 00:37:08.730
I work with SFX because I don't want to oversaturate

746
00:37:08.750 --> 00:37:11.980
it too much unless it's meant to be an audio

747
00:37:12.019 --> 00:37:17.260
that is really going hard on the senses and trying

748
00:37:17.380 --> 00:37:25.440
to not fully overwhelm the listener, but building that soundscape

749
00:37:25.800 --> 00:37:29.480
and trying to really plug them into the moment. So yeah,

750
00:37:29.519 --> 00:37:33.530
they're my two cents on SFX. I'm pretty sure most

751
00:37:33.570 --> 00:37:36.389
VAs would be the same way in terms of creating

752
00:37:36.530 --> 00:37:40.469
natural sounds. It would be really interesting to hear more,

753
00:37:40.489 --> 00:37:44.530
wouldn't it, from others. But yeah, so that's me. That's

754
00:37:44.650 --> 00:37:47.829
Peach and It Real for another segment. And I look

755
00:37:47.889 --> 00:37:52.469
forward to talking about more silly things in future with you.

756
00:37:52.909 --> 00:37:54.820
Back to you, Kazza, Jules, and Smudge.

757
00:37:59.800 --> 00:38:01.079
So kissing SFX.

758
00:38:01.539 --> 00:38:02.000
Yes.

759
00:38:02.280 --> 00:38:04.849
So one thing that I feel like there's not enough of,

760
00:38:04.929 --> 00:38:07.849
and I found a good clip of what is just

761
00:38:07.949 --> 00:38:11.210
good old making out. Like, well, it's not just like

762
00:38:11.269 --> 00:38:13.510
some kisses that just, you know, it's like just fucking

763
00:38:13.530 --> 00:38:15.849
make out for a while. Like this is just reminded

764
00:38:15.869 --> 00:38:18.440
me of it. I can't remember what the audio is,

765
00:38:18.449 --> 00:38:21.829
but there was a recent one by Lux where it's

766
00:38:21.849 --> 00:38:25.050
an established relationship, but it's their first time like doing

767
00:38:25.090 --> 00:38:28.550
anything physical and And in the audio, the listener isn't

768
00:38:28.590 --> 00:38:32.659
ready to do everything. And so it's super fucking hot

769
00:38:32.760 --> 00:38:34.980
because the whole audio is like, they're just having a

770
00:38:35.019 --> 00:38:38.219
really good makeout session, petting session, whatever. But it does

771
00:38:38.239 --> 00:38:40.119
never go to penetration. There was just something super hot

772
00:38:40.159 --> 00:38:43.909
about it. But anyway, back to kissing. So this clip

773
00:38:44.050 --> 00:38:47.570
is from August in the Winter. And it's called Showing

774
00:38:47.590 --> 00:38:49.750
Your Gentle Friend That You Like His Size.

775
00:38:50.909 --> 00:38:51.369
Weird name.

776
00:38:52.170 --> 00:38:54.789
Probably these are probably his like reddit ones that transferred

777
00:38:54.829 --> 00:38:57.630
over to quinn reddit has ridiculous names but this is

778
00:38:57.690 --> 00:39:00.329
like this is just a good making out okay here

779
00:39:00.349 --> 00:39:15.230
we go that's it Just, like, just some smooching, just

780
00:39:15.269 --> 00:39:15.849
some making out.

781
00:39:15.869 --> 00:39:16.429
I love it.

782
00:39:16.429 --> 00:39:18.800
Like, you see how it's not, like, that squeaky pecky? Like,

783
00:39:18.820 --> 00:39:21.800
for me, like, it sounds like he's actually kissing someone

784
00:39:21.820 --> 00:39:22.159
he likes.

785
00:39:22.719 --> 00:39:25.070
It's not, like, popcorn kiss. It's, like, yeah.

786
00:39:25.630 --> 00:39:32.159
Right yeah all i heard was um um um that's

787
00:39:32.219 --> 00:39:34.679
all i heard because he made it he made a

788
00:39:35.239 --> 00:39:39.820
an actual sound yeah it wasn't just the lips he

789
00:39:39.840 --> 00:39:41.800
made a verbal sound so then.

790
00:39:41.739 --> 00:39:44.750
All i heard was um Okay, I can see that.

791
00:39:45.070 --> 00:39:45.409
Yeah.

792
00:39:45.769 --> 00:39:46.130
Yeah, yeah.

793
00:39:46.409 --> 00:39:49.050
We've established at the beginning I'm not a big kissing

794
00:39:49.110 --> 00:39:49.550
sound person.

795
00:39:49.570 --> 00:39:50.389
Oh, yeah, you don't like kissing.

796
00:39:50.429 --> 00:39:51.170
Yeah, you don't like kissing.

797
00:39:51.250 --> 00:39:53.050
That's right. Oh, God, and it's like one of my favorites.

798
00:39:53.130 --> 00:39:54.380
I love kissing, but I don't like it.

799
00:39:54.730 --> 00:39:56.849
Okay, so this is the other kissing one I have,

800
00:39:56.909 --> 00:40:02.480
just for comparison's sake, is Sweets. And this is Good

801
00:40:02.519 --> 00:40:05.760
Things Take Time. This is a very quick clip, but

802
00:40:06.300 --> 00:40:07.119
you'll see what I mean.

803
00:40:07.139 --> 00:40:13.139
Oh. Oh. Yeah, come here and kiss me. Oh.

804
00:40:22.010 --> 00:40:23.849
A couple little squeaks in there but I let them

805
00:40:23.869 --> 00:40:25.349
get away with it because the rest of it is

806
00:40:25.409 --> 00:40:28.170
like I don't know it's just like it's more it's

807
00:40:28.230 --> 00:40:31.670
louder it's but it's still just it's still just kissing.

808
00:40:31.369 --> 00:40:35.050
Yeah I think that that sat a little bit better

809
00:40:35.070 --> 00:40:35.590
with me.

810
00:40:35.489 --> 00:40:36.750
Yeah I thought that was good I mean sweets is

811
00:40:36.789 --> 00:40:40.170
just how do you fucking beat sweets so good so

812
00:40:40.190 --> 00:40:45.760
good So those are like good examples of kissing for me.

813
00:40:45.800 --> 00:40:47.420
But like I said earlier, I just I want it

814
00:40:47.440 --> 00:40:50.340
to sound like you like the person that it's that

815
00:40:50.360 --> 00:40:53.139
there's like intimacy and passion about it. You don't like

816
00:40:53.360 --> 00:40:54.699
kissing SFX at all as much.

817
00:40:55.719 --> 00:40:58.300
No, I'm just I'm just not. It's not not in

818
00:40:58.340 --> 00:41:02.199
my wheelhouse of things that I find because I'm not

819
00:41:02.260 --> 00:41:07.599
that Roman. I don't like the BFEs or the, you know,

820
00:41:07.659 --> 00:41:10.119
those types of. Yeah, we all know what I like.

821
00:41:10.199 --> 00:41:12.059
And I just say kissing is not.

822
00:41:14.260 --> 00:41:15.639
Jules, what's your thoughts on kissing?

823
00:41:16.559 --> 00:41:19.489
What are your preferences? I love it. I absolutely love it.

824
00:41:19.500 --> 00:41:21.820
So the only thing, I know I always say, like,

825
00:41:22.050 --> 00:41:25.130
I wouldn't actually care if I knew how the sausage

826
00:41:25.150 --> 00:41:26.869
was made. And I'm not going to say anything. But

827
00:41:27.329 --> 00:41:31.110
Quinn did put out when Jamie Campbell Bauer did the original,

828
00:41:31.329 --> 00:41:34.090
they put out a behind the scenes and it showed

829
00:41:34.150 --> 00:41:35.190
how he did the kisses.

830
00:41:35.929 --> 00:41:36.119
Oh, wow.

831
00:41:36.730 --> 00:41:38.840
I kind of am always now in my head being like,

832
00:41:38.889 --> 00:41:42.360
I wonder if like, that's what they're doing. But so yeah,

833
00:41:42.380 --> 00:41:44.219
so I'm kind of, so it doesn't take me out

834
00:41:44.239 --> 00:41:46.599
of it, but I am like, oh, I wonder like,

835
00:41:46.920 --> 00:41:50.460
are you or are you not? But I love kissing

836
00:41:50.579 --> 00:41:52.400
if it, see, I'm different because I don't mind like

837
00:41:52.420 --> 00:41:55.210
the popcorn kissing. I actually think that's cute. Like, I

838
00:41:55.210 --> 00:41:57.530
think it's cute, but like, don't be popcorn kissing you

839
00:41:57.550 --> 00:42:00.210
while we're like, when there's music in the background and

840
00:42:00.250 --> 00:42:05.880
we're like, It's like sensual. Yeah. Like, you know, don't

841
00:42:05.920 --> 00:42:08.360
do that. So I like the kissing to match the mood.

842
00:42:08.699 --> 00:42:11.280
I like when as long as it's not too much

843
00:42:11.360 --> 00:42:13.719
like the way Sweets was kind of moaning as well

844
00:42:13.739 --> 00:42:14.280
a little bit.

845
00:42:14.400 --> 00:42:14.539
Yeah.

846
00:42:15.039 --> 00:42:17.590
I love that. I fucking love that.

847
00:42:17.849 --> 00:42:18.150
Same.

848
00:42:18.329 --> 00:42:20.650
In audios when as long as it's not every second,

849
00:42:20.869 --> 00:42:23.190
like kiss for a few seconds and then moan. Oh,

850
00:42:23.230 --> 00:42:24.630
I love it. Do you know what?

851
00:42:24.650 --> 00:42:26.369
I'm going to be very vulnerable here. And I think

852
00:42:26.489 --> 00:42:30.119
I've realized why. I have an aversion to kissing. It

853
00:42:30.139 --> 00:42:33.699
was my last long-term relationship, which was 10 years. He

854
00:42:33.760 --> 00:42:36.000
refused to kiss me after the first year. He just

855
00:42:36.019 --> 00:42:38.139
said he didn't like it. So he never kissed me.

856
00:42:38.260 --> 00:42:40.079
So I didn't kiss in a relationship for 10 years.

857
00:42:40.099 --> 00:42:42.300
So I don't associate with, and I don't kiss with

858
00:42:42.639 --> 00:42:44.739
my doms. Don't there's no kissing involved.

859
00:42:45.159 --> 00:42:45.460
Right.

860
00:42:45.539 --> 00:42:49.889
So that's probably what it is because I don't have any,

861
00:42:49.909 --> 00:42:52.329
I don't have really any experience in the last 28

862
00:42:52.329 --> 00:42:53.829
years of kissing. Yeah. Yeah.

863
00:42:57.239 --> 00:42:58.639
So it's not a part of.

864
00:42:58.719 --> 00:43:03.489
An intimate experience for you. Sorry, it just hit me.

865
00:43:03.590 --> 00:43:05.610
And I was like, no, I think that's probably why.

866
00:43:05.650 --> 00:43:09.570
Because I haven't experienced it enough in an intimate setting

867
00:43:09.610 --> 00:43:11.840
for it to be anything other than nothing.

868
00:43:12.179 --> 00:43:14.389
Nothing. Oh, I'm going to give you a big old

869
00:43:14.510 --> 00:43:15.409
smooch when you come visit.

870
00:43:15.429 --> 00:43:16.650
I was, oh my gosh.

871
00:43:16.670 --> 00:43:17.760
She's like, really?

872
00:43:17.969 --> 00:43:19.739
I was just going to be like, well, maybe until

873
00:43:19.760 --> 00:43:20.500
you're over here.

874
00:43:20.519 --> 00:43:23.420
You'll get lots of smooches from us.

875
00:43:23.480 --> 00:43:26.420
Don't get me wrong. I love kissing. I always loved kissing,

876
00:43:26.440 --> 00:43:30.780
but it's just not been part of my erotic sexual

877
00:43:30.820 --> 00:43:31.800
world for a long time.

878
00:43:31.820 --> 00:43:33.130
Yeah, that makes sense.

879
00:43:33.409 --> 00:43:34.909
Oh, and he didn't want to kiss me because I

880
00:43:34.909 --> 00:43:36.889
have bad breath or anything, or I'm not good at kissing.

881
00:43:37.010 --> 00:43:37.570
He's just a cunt.

882
00:43:39.829 --> 00:43:40.289
There you go.

883
00:43:40.610 --> 00:43:42.489
Fucking cunt. Loser.

884
00:43:42.510 --> 00:43:44.250
Are we going to talk about the plaps?

885
00:43:45.110 --> 00:43:45.829
That's right.

886
00:43:45.869 --> 00:43:48.889
Talk about the plaps. Yeah, we do. So the lovely

887
00:43:48.909 --> 00:43:51.909
sound effects of the actual sexual acts themselves.

888
00:43:52.090 --> 00:43:52.510
Yes.

889
00:43:54.110 --> 00:43:55.789
What do you guys think before I tell you the

890
00:43:55.829 --> 00:43:56.409
clip that I have?

891
00:43:56.750 --> 00:44:00.769
I found that I'm hearing them more now than I

892
00:44:01.130 --> 00:44:03.070
used to. Again, it's one of those things where like

893
00:44:03.110 --> 00:44:06.349
I didn't realize what I was missing. But now when

894
00:44:06.369 --> 00:44:11.079
they're done well, again, well is what is subjective. it

895
00:44:11.179 --> 00:44:14.239
really enhances it. And so it's not so much the,

896
00:44:14.659 --> 00:44:16.650
I mean, it's the plaps, yes, but it's just more,

897
00:44:16.710 --> 00:44:20.289
it's almost more the, like Xander's really good at it.

898
00:44:20.389 --> 00:44:23.510
It's like the kind of the grunting and the motion

899
00:44:23.550 --> 00:44:26.110
and the air humping, you know, that kind of stuff.

900
00:44:26.150 --> 00:44:26.489
Yeah.

901
00:44:26.690 --> 00:44:29.550
Those noises. I mean, the plapping can help too, but

902
00:44:30.320 --> 00:44:32.599
if that goes too far for me, then I'm out.

903
00:44:32.860 --> 00:44:34.380
Because then I'm just like, oh my God, this just

904
00:44:34.400 --> 00:44:37.300
sounds like, it doesn't work for me. But like Xander's

905
00:44:37.699 --> 00:44:43.110
sex sounds are, And AJ's sex sounds work. Like they just,

906
00:44:43.130 --> 00:44:45.860
they sound realistic to me. So, yeah. So I like

907
00:44:45.889 --> 00:44:49.159
them now that more are included. And I'm like, oh, okay.

908
00:44:49.219 --> 00:44:51.900
It really enhances, it paints the picture more for me

909
00:44:51.960 --> 00:44:53.739
because I don't see it. What about you, Smudge? What

910
00:44:53.760 --> 00:44:56.579
do you think about the actual sounds of intercourse?

911
00:44:58.000 --> 00:45:00.760
God, we went very sex ed then.

912
00:45:01.000 --> 00:45:03.030
Went from plap to intercourse.

913
00:45:03.050 --> 00:45:03.679
Intercourse.

914
00:45:04.530 --> 00:45:06.289
And, you know, with a slightly racist accent.

915
00:45:06.349 --> 00:45:08.130
Penile vaginal intercourse.

916
00:45:08.309 --> 00:45:10.909
Yeah, I really enjoy them. Yeah? It's that simple. The

917
00:45:10.969 --> 00:45:14.989
louder sounds. the better because I interpret that as pushing

918
00:45:15.030 --> 00:45:19.369
in deeper, you know, harder, banging that fucking cervix till

919
00:45:19.409 --> 00:45:24.670
it's given up. Damn, yeah. You know, like, get in there,

920
00:45:24.909 --> 00:45:28.369
get deep, pound away, pound away, kid, pound away.

921
00:45:28.389 --> 00:45:29.989
Pound away, yeah.

922
00:45:30.050 --> 00:45:30.710
I love it.

923
00:45:31.019 --> 00:45:33.019
I'm the same. When I first started listening two years ago,

924
00:45:33.139 --> 00:45:36.739
it was not as many sound effects for actual sex.

925
00:45:36.820 --> 00:45:37.679
Yeah, it really wasn't.

926
00:45:38.719 --> 00:45:41.409
Uh, yeah, I love it. I actually get like annoyed

927
00:45:41.610 --> 00:45:43.210
if a new audio comes out and it doesn't have

928
00:45:43.230 --> 00:45:45.670
the penetration tag. I'm like, oh man, like that's my

929
00:45:45.710 --> 00:45:46.389
favorite thing.

930
00:45:46.449 --> 00:45:47.150
Like, okay.

931
00:45:47.210 --> 00:45:49.710
Kazza, you want the cunnilingus, right? You want that. So

932
00:45:49.730 --> 00:45:51.170
if that's not in there, I'm like, dang. But if

933
00:45:51.190 --> 00:45:53.150
there's no penetration, I'm like, for fuck's sake.

934
00:45:53.250 --> 00:45:54.269
Like, that's my thing.

935
00:45:54.900 --> 00:45:57.659
Yeah, I love it. I do get taken out of

936
00:45:57.679 --> 00:45:59.219
it a little bit if it sounds too much like

937
00:45:59.500 --> 00:46:01.760
someone's like banging two pieces of wood together or like

938
00:46:01.820 --> 00:46:07.099
flip flops or something. We just.

939
00:46:06.920 --> 00:46:09.300
Make it making the sound like what would they do?

940
00:46:09.320 --> 00:46:12.219
I know. I know what how a couple of them

941
00:46:12.260 --> 00:46:14.329
do it. And it's yeah.

942
00:46:14.489 --> 00:46:17.010
I don't know. To me, this example, I just think

943
00:46:17.050 --> 00:46:21.329
is yummy. And it's Nadio. And it is fair play.

944
00:46:21.710 --> 00:46:23.309
And I think this is the first time I've ever

945
00:46:23.349 --> 00:46:25.929
really used Nadio as an example because I know he's

946
00:46:25.949 --> 00:46:27.969
like everyone's favorite, but he's a slow burn for me.

947
00:46:28.030 --> 00:46:31.619
So I've been like slowly getting on the Nadio train.

948
00:46:31.639 --> 00:46:35.659
You're chewing away. Let me tell you. All right. Here

949
00:46:35.739 --> 00:46:36.059
it is.

950
00:46:51.510 --> 00:46:55.929
Oh, why do you take me so fucking well?

951
00:46:57.019 --> 00:46:57.880
Yeah, that's good.

952
00:46:58.159 --> 00:47:01.300
Nordeo is king of the clap. Sorry, he is.

953
00:47:01.500 --> 00:47:01.840
Yeah.

954
00:47:02.059 --> 00:47:07.030
He's got that perfect mix of the fucking slapping his

955
00:47:07.110 --> 00:47:10.489
cock inside you and the sloppy wetness.

956
00:47:10.510 --> 00:47:11.230
The wetness.

957
00:47:11.550 --> 00:47:11.889
Yes.

958
00:47:12.250 --> 00:47:12.530
Yes.

959
00:47:13.170 --> 00:47:15.610
It's like the perfect combo, by the way, because you

960
00:47:15.630 --> 00:47:18.210
couldn't see us. We were, all three of us, we're

961
00:47:18.530 --> 00:47:22.550
like bobbing our heads in sync with his plaits.

962
00:47:22.630 --> 00:47:26.239
That's clearly going to be our video promo for the episode.

963
00:47:26.260 --> 00:47:27.320
It's so good.

964
00:47:27.539 --> 00:47:29.260
But it's just, in Smudge, you hit the nail on

965
00:47:29.280 --> 00:47:31.579
the head. It's the combination of not too much of

966
00:47:31.619 --> 00:47:33.340
the bang, bang, bang, bang, bang, where that's all it is,

967
00:47:33.619 --> 00:47:37.000
but it's that and the internal, external sound.

968
00:47:37.300 --> 00:47:37.719
Yes.

969
00:47:38.260 --> 00:47:41.400
It was so realistic. If a queef came out, I

970
00:47:41.429 --> 00:47:43.480
wouldn't be surprised. It wouldn't throw me.

971
00:47:43.739 --> 00:47:49.360
Yeah, super realistic. So when it's that good and that realistic,

972
00:47:49.780 --> 00:47:52.239
you can really, I mean, talk about immersive, you can

973
00:47:52.360 --> 00:47:55.199
really get into that scene because you're not having to

974
00:47:55.280 --> 00:47:57.440
process any of it to make it make sense.

975
00:47:57.480 --> 00:47:58.119
Yeah, yes.

976
00:47:58.199 --> 00:47:59.889
It's just, it's so good.

977
00:48:00.219 --> 00:48:02.610
You can hear that in isolation and know exactly what

978
00:48:02.630 --> 00:48:04.429
the fuck's going on. Oh, yeah. Right?

979
00:48:04.429 --> 00:48:04.650
100%.

980
00:48:04.650 --> 00:48:05.829
Are we saying that that's a good score?

981
00:48:09.119 --> 00:48:11.099
Of a good SFX is if you can hear it

982
00:48:11.159 --> 00:48:13.050
in isolation and know what it is they're doing.

983
00:48:13.070 --> 00:48:17.550
Oh, interesting. Yeah, that's a good point.

984
00:48:17.849 --> 00:48:20.230
We should have just played the sounds and let everybody

985
00:48:20.269 --> 00:48:23.030
guess what they think was happening.

986
00:48:23.130 --> 00:48:23.510
Damn.

987
00:48:23.650 --> 00:48:24.630
We could have had our own game.

988
00:48:25.820 --> 00:48:27.239
Oh, we could have had our own. Damn it.

989
00:48:27.579 --> 00:48:29.039
I'll tell you what, we'll come up with a game

990
00:48:29.139 --> 00:48:32.199
for another Hit the Spotlight guest and we'll do that.

991
00:48:32.719 --> 00:48:33.659
Guess the SFX.

992
00:48:34.340 --> 00:48:34.820
Yes.

993
00:48:35.219 --> 00:48:36.599
Guess FX. Yes. SFX.

994
00:48:36.619 --> 00:48:37.260
There you go.

995
00:48:37.539 --> 00:48:39.260
Bam. You already named it.

996
00:48:39.300 --> 00:48:42.590
Name it. Name it already. But I would like to

997
00:48:42.630 --> 00:48:46.869
give a final honorary mention to vibrators that are used

998
00:48:47.369 --> 00:48:52.210
as SFX in audios. Because I think almost all of

999
00:48:52.269 --> 00:48:54.869
the vibrators, in fact, all of the vibrators that I've

1000
00:48:54.909 --> 00:48:57.130
heard sound like a real vibrator. So if you're a

1001
00:48:57.150 --> 00:48:59.210
creator out there and you're in a booth and you're

1002
00:48:59.250 --> 00:49:01.829
not using a real vibrator, then it sounds like one

1003
00:49:01.849 --> 00:49:03.570
so well done. But I think the majority of you

1004
00:49:03.820 --> 00:49:06.780
are using one. And fucking fair play to you because

1005
00:49:06.800 --> 00:49:09.940
you have one. Whether you're partnered up or not, you

1006
00:49:10.000 --> 00:49:10.440
have one.

1007
00:49:10.739 --> 00:49:11.019
Yes.

1008
00:49:11.360 --> 00:49:14.340
And there is no, I don't think there's a replacement

1009
00:49:14.909 --> 00:49:16.619
for the sound of a natural vibrator, right?

1010
00:49:17.059 --> 00:49:17.699
I don't think so.

1011
00:49:17.719 --> 00:49:20.559
No, because you could easily be like, oh, back massager.

1012
00:49:20.699 --> 00:49:22.269
Come on, you're not fooling anyone while you bought that.

1013
00:49:22.289 --> 00:49:24.630
It's not for your back. Yeah.

1014
00:49:24.710 --> 00:49:25.469
Exactly.

1015
00:49:25.889 --> 00:49:27.969
Who are you kidding? Come on.

1016
00:49:28.070 --> 00:49:28.409
Yeah.

1017
00:49:29.530 --> 00:49:31.050
It was just one when I was going through and

1018
00:49:31.090 --> 00:49:35.159
I just thought, oh, vibrators. There's a lot of vibrator sounds.

1019
00:49:35.480 --> 00:49:38.679
And not only just like the vibrator sound, but the

1020
00:49:38.820 --> 00:49:43.800
varied kind of volume muffled. So, you know, like it's been,

1021
00:49:44.039 --> 00:49:45.449
it's being placed somewhere.

1022
00:49:45.530 --> 00:49:46.110
Yes.

1023
00:49:46.610 --> 00:49:49.010
Like it's either just being shown, like here's what's coming.

1024
00:49:49.050 --> 00:49:52.190
And it's like, so it's that. But then it's like

1025
00:49:52.210 --> 00:49:54.389
a little muffled because it's been placed somewhere.

1026
00:49:54.889 --> 00:49:55.230
Yes.

1027
00:49:55.590 --> 00:49:59.030
And I love when the listener comes in. From the vibrator.

1028
00:49:59.090 --> 00:50:02.150
And you can hear the other person change the settings

1029
00:50:02.190 --> 00:50:05.289
to get it to stop. Because it's over now. You

1030
00:50:05.309 --> 00:50:06.769
know what I mean? It's not just like, oh, it ends.

1031
00:50:06.809 --> 00:50:08.909
The sound ends. It's like they go through that to

1032
00:50:08.949 --> 00:50:09.550
have it stop.

1033
00:50:09.590 --> 00:50:11.429
I'm just like, fuck you. You hear the click of

1034
00:50:11.469 --> 00:50:12.219
the button and like.

1035
00:50:12.260 --> 00:50:12.550
Yes.

1036
00:50:12.610 --> 00:50:12.940
Yeah.

1037
00:50:13.000 --> 00:50:13.340
Yeah.

1038
00:50:13.500 --> 00:50:14.679
And so I just go through like two of the

1039
00:50:14.719 --> 00:50:17.519
settings no one fucking uses. And then it shuts off.

1040
00:50:17.860 --> 00:50:17.940
Yeah.

1041
00:50:17.960 --> 00:50:19.840
I'm just like, that is so perfect.

1042
00:50:19.860 --> 00:50:21.860
That's such a good point, Jules. Like that, again, like

1043
00:50:21.900 --> 00:50:24.679
is how you make it so realistic. Like you don't

1044
00:50:24.780 --> 00:50:28.139
realize that. the whole journey you need to go through

1045
00:50:28.199 --> 00:50:30.099
when you're listening to an audio to have it feel

1046
00:50:30.139 --> 00:50:33.559
real and that like shutting the vibrator off instead of

1047
00:50:33.840 --> 00:50:36.340
just the sound effect just ending like you said yeah

1048
00:50:36.519 --> 00:50:37.000
it's like.

1049
00:50:36.900 --> 00:50:39.429
Even like you said Kaz at the beginning like the

1050
00:50:39.570 --> 00:50:42.489
echo in a bathroom yeah you know so even those

1051
00:50:42.510 --> 00:50:45.469
things that seem subtle yep but they're really not.

1052
00:50:45.469 --> 00:50:47.730
Which actually my honorary mention that I want to play

1053
00:50:47.769 --> 00:50:49.989
just a little bit of is um just from an

1054
00:50:50.170 --> 00:50:54.500
overall soundscape perspective is Julian Kahn, who we just had on.

1055
00:50:54.800 --> 00:50:57.659
The different things he uses was just so good. So

1056
00:50:57.679 --> 00:50:59.280
this is just an overall, this is a clip of

1057
00:50:59.320 --> 00:51:01.119
just overall sound effects. Here we go.

1058
00:51:01.579 --> 00:51:17.849
I like her style. Yeah, I think once you've got

1059
00:51:17.889 --> 00:51:24.489
survival sorted out, Everything else is just a.

1060
00:51:24.489 --> 00:51:28.719
Matter of style. So all the different pieces of this,

1061
00:51:28.760 --> 00:51:31.719
like we talked about him in the interview, like his

1062
00:51:31.880 --> 00:51:35.079
audios are so layered and full of texture. So the

1063
00:51:35.139 --> 00:51:38.159
bathtub is filling in the background. You have like a

1064
00:51:38.280 --> 00:51:41.670
motorcycle going by. You've got street noise. You've got all

1065
00:51:41.710 --> 00:51:45.369
sorts of ambient noise. You've got some music playing. It's

1066
00:51:45.409 --> 00:51:48.889
just so many layers, whereas other audios that I also

1067
00:51:48.929 --> 00:51:52.150
love are just voice isolation. It's hot as fuck.

1068
00:51:52.639 --> 00:51:52.880
Right.

1069
00:51:53.059 --> 00:51:56.139
But, like, just the, I think the brilliant use of

1070
00:51:56.559 --> 00:51:59.989
overall soundscapes is just, I mean, he really, you know,

1071
00:52:00.010 --> 00:52:03.590
he's quite a master at it. So, I loved that one. Yeah, that's,

1072
00:52:03.769 --> 00:52:06.409
it's Chez Trois is his audio.

1073
00:52:06.929 --> 00:52:07.590
Chez Trois.

1074
00:52:07.630 --> 00:52:08.010
Chez Trois.

1075
00:52:08.469 --> 00:52:11.789
Oh, SFX, eh? So everyone, I think, will be looking out. Oh,

1076
00:52:11.949 --> 00:52:14.050
I know I will. When you have this conversation with people,

1077
00:52:14.139 --> 00:52:17.719
you tend to look out more for certain things now. Oh, yes. Oh, yes.

1078
00:52:18.159 --> 00:52:20.340
And Clintusons, of course, we want to hear more from you.

1079
00:52:20.360 --> 00:52:22.400
I mean, we heard, let me see if there's anything

1080
00:52:22.420 --> 00:52:24.139
that we missed here that you all sent in. Oh,

1081
00:52:24.679 --> 00:52:29.380
anything with thunder, rain, and fireplace, SFX, and I'm set.

1082
00:52:29.880 --> 00:52:32.630
So this person really loves that kind of ambient setting. Yeah.

1083
00:52:33.429 --> 00:52:35.610
Too wet and slurpy ruins it. You are not trying

1084
00:52:35.630 --> 00:52:41.050
to drink out of a fire hydrant. That's from Sue Shines.

1085
00:52:41.389 --> 00:52:45.539
From Sunny the Swede. Rain SFX. So good in certain audios.

1086
00:52:46.159 --> 00:52:48.920
Gagging during BJ takes me right out of it. Right?

1087
00:52:48.940 --> 00:52:49.940
Like you were saying, Jules.

1088
00:52:49.960 --> 00:52:52.440
Just like me, yes.

1089
00:52:52.480 --> 00:52:58.829
Marilyn Merlot. SFX sucking, licking, ew. For Marilyn.

1090
00:52:58.869 --> 00:52:59.309
Okay, yeah.

1091
00:52:59.929 --> 00:53:04.969
Asta Janarova says, depends, shouldn't be overused. Some VAs know

1092
00:53:04.989 --> 00:53:06.989
how to use it well. It brings another dimension. I

1093
00:53:07.030 --> 00:53:08.949
think that's a bit right. It really does.

1094
00:53:08.969 --> 00:53:09.250
Yes.

1095
00:53:09.550 --> 00:53:13.159
Yes. Excuse you, Nicole. Love oral SFX, except they have

1096
00:53:13.179 --> 00:53:16.280
to be done right. Like for yourself. Sometimes it gets

1097
00:53:16.320 --> 00:53:20.619
a bit much. Missy Ann says, BJ love super slurpy

1098
00:53:20.699 --> 00:53:21.880
eating nausea.

1099
00:53:23.889 --> 00:53:26.269
There's some real extreme reactions, aren't there?

1100
00:53:26.670 --> 00:53:30.590
And then this one finally, Kinson Alley, beard scratches and

1101
00:53:30.739 --> 00:53:31.420
belt flicks.

1102
00:53:31.519 --> 00:53:31.840
Yes.

1103
00:53:32.280 --> 00:53:33.260
Super slurpy slurps?

1104
00:53:33.480 --> 00:53:33.679
No.

1105
00:53:34.599 --> 00:53:36.260
I think the word slurp alone is just like.

1106
00:53:36.280 --> 00:53:38.780
Slurp alone. But that's the other thing, like when it's

1107
00:53:38.800 --> 00:53:41.139
like someone's like rubbing their face and it's got like stubble.

1108
00:53:41.519 --> 00:53:41.760
Yeah.

1109
00:53:42.570 --> 00:53:43.690
Oh, I love that.

1110
00:53:43.809 --> 00:53:46.309
That's a good one. Yeah. So SFX, man.

1111
00:53:46.610 --> 00:53:49.190
SFX. And as a way to end this segment, because

1112
00:53:49.329 --> 00:53:51.510
my husband is home today and I'm just a loud person.

1113
00:53:51.550 --> 00:53:54.889
So he heard us talking about the blowjob part. And

1114
00:53:54.909 --> 00:53:56.690
when I was talking about when guys come, like doesn't

1115
00:53:56.710 --> 00:54:00.769
make a sound. So he shot me a text that said, Jules,

1116
00:54:00.789 --> 00:54:03.250
it's because you're making too much noise to hear it

1117
00:54:03.269 --> 00:54:04.269
because we're in bed.

1118
00:54:04.710 --> 00:54:05.050
Right.

1119
00:54:05.070 --> 00:54:08.590
So it's you. You're overpowering with your own SFX.

1120
00:54:08.840 --> 00:54:11.559
He's like, of course you don't hear it because... You're already,

1121
00:54:11.579 --> 00:54:14.420
you can't hear it. I'm like, oh shit. So maybe

1122
00:54:14.460 --> 00:54:15.300
he's right, but hey.

1123
00:54:16.659 --> 00:54:20.860
I love it. Oh dear. Well, I've learned things about

1124
00:54:20.980 --> 00:54:24.860
SFX I didn't know and not too much that it

1125
00:54:24.880 --> 00:54:25.320
ruins it.

1126
00:54:25.440 --> 00:54:27.119
That it ruins it. But it really did, it did

1127
00:54:27.179 --> 00:54:30.170
make me appreciate more like the work that goes into it.

1128
00:54:30.900 --> 00:54:33.800
That the sound editors or the VAs or whoever's doing

1129
00:54:33.820 --> 00:54:36.170
that part of it. It's really, it's quite an art.

1130
00:54:36.269 --> 00:54:39.679
It is an art. It is. It's not just a

1131
00:54:39.760 --> 00:54:41.059
plunger down a toilet.

1132
00:54:41.300 --> 00:54:41.980
No, it's not.

1133
00:54:42.059 --> 00:54:45.820
Anymore. Very scientific. Very, very scientific.

1134
00:54:45.840 --> 00:54:49.969
It's not just a bowl of mac and cheese. All right, ladies. So,

1135
00:54:49.989 --> 00:54:52.190
a lot to say about SFX.

1136
00:54:52.349 --> 00:54:53.130
Who knew?

1137
00:54:53.150 --> 00:54:55.929
Oh, my gosh. I swear we could keep talking, too.

1138
00:54:55.949 --> 00:54:56.369
I know.

1139
00:54:56.389 --> 00:54:58.530
It's three little words. SFX.

1140
00:54:58.869 --> 00:55:05.239
You weirdo. Oh, Clintisons, thank you so much for listening

1141
00:55:05.320 --> 00:55:07.550
to us yap on about SFX.

1142
00:55:07.889 --> 00:55:08.090
Yeah.

1143
00:55:08.329 --> 00:55:10.489
And if you didn't get a chance to answer our

1144
00:55:10.829 --> 00:55:12.710
Instagram story, and even if you did, we'd love to

1145
00:55:12.750 --> 00:55:14.269
hear what your thoughts about this. So you can put

1146
00:55:14.309 --> 00:55:16.170
it in the comments. You can leave us a voicemail

1147
00:55:16.190 --> 00:55:18.690
from our website, quincast.com. You can send us an email,

1148
00:55:18.869 --> 00:55:21.559
any of the things. Tag us on socials. We want

1149
00:55:21.579 --> 00:55:23.800
to hear what is your take on SFX.

1150
00:55:24.219 --> 00:55:26.860
Or go to quincast.com and leave us a little voice

1151
00:55:26.900 --> 00:55:30.000
note with your own SFX attempts. Oh, that's good.

1152
00:55:30.139 --> 00:55:31.400
That's a really good idea.

1153
00:55:31.460 --> 00:55:33.840
Listen to Smudgy. Go to quincast.com.

1154
00:55:33.860 --> 00:55:34.070
Yes.

1155
00:55:34.489 --> 00:55:38.130
Click on record a voicemail and give us your SFX.

1156
00:55:38.909 --> 00:55:41.730
Your attempts at SFX because I guarantee you we're going

1157
00:55:41.750 --> 00:55:43.869
to listen to them and probably put them in a promo.

1158
00:55:45.070 --> 00:55:46.659
Or play them in a future episode.

1159
00:55:47.159 --> 00:55:48.360
Yes. Good idea.

1160
00:55:48.420 --> 00:55:50.400
I love that. Let's hear what you can do with

1161
00:55:50.440 --> 00:55:52.159
your own SFX. Yes.

1162
00:55:52.559 --> 00:55:53.409
Love it. Love it.

1163
00:55:53.800 --> 00:55:56.920
Thanks, Glittisons, for listening to another episode of QuinnCast. We

1164
00:55:56.940 --> 00:55:59.489
appreciate you so much. If you could go rate us,

1165
00:55:59.659 --> 00:56:02.530
review us, like five-star review, it helps so much. It

1166
00:56:02.590 --> 00:56:05.869
helps our podcast reach so many more people. So it's super,

1167
00:56:05.889 --> 00:56:07.630
super helpful if you can support us in that way.

1168
00:56:07.969 --> 00:56:10.449
Leave us comments on Spotify. Again, super helpful. Share it

1169
00:56:10.469 --> 00:56:11.949
with your friends, all of it. We love you so

1170
00:56:11.989 --> 00:56:14.710
much and we appreciate you. So we'll be back again

1171
00:56:14.750 --> 00:56:17.429
soon with another great episode. But for now, this has

1172
00:56:17.469 --> 00:56:19.130
been Kazza. Your voice matters.

1173
00:56:19.690 --> 00:56:21.699
This has been Jules. Go put those lips to good use.

1174
00:56:22.570 --> 00:56:26.170
And this has been Smudge. Keep wanking.